{http://soundcloud.com/soundslikerstin/so-we-pretend-a-poem}

I have a hard time these days putting into words what I see, hear, feel and think. Some days I am busy with radio work. Some days I go on walks with our puppy. Some days I can't stop crying while I watch a stupid movie with a talking dog.

Labor day weekend, a weekend of record heat and smoke-filled skies from fires in Southern California, I sat in Los Angeles' Marina looking out on the water with a cold drink next to me. Suddenly I thought: "How can we pretend that everything's ok?"

Later at home, I wrote this poem:

May 25, 2020. Memorial Day. 6 PM in Los Angeles. We decide to prepare the tenderloin, sweet potatoes and brussels sprouts first, go to the beach for sunset, have a dinner and movie night at home. I start peeling potatoes while my husband marinates meat for the grill.

2000 miles northeast it's 8 PM. The sun has set. There is still a glow of light. The air is warm. An employee of the Cup Foods store, corner of 38th street and Chicago Avenue in Minneapolis, Missouri calls the police. A man, he says, used a fake 20 dollar note to buy a pack of cigarettes. Eight minutes later a squad car arrives. 

6:20 PM Los Angeles. While I pour olive oil over the veggies, add fresh rosemary and lemon juice, 17 year old Darnella Frazier pushes the video button on her smartphone.

What I am longing for the most these days is the ocean.

The beaches are closed in California, so I know I will not be able to put my feet into the Pacific for a while. I wanted to find out whether I would at least be able to feel the ocean breeze.

So I took my bike to see.

First surprise: the bike path behind our house is still open.

{http://soundcloud.com/soundslikerstin/whatthebirdknows}

I was lucky. When the corona virus restrictions started in California, I was staying in a secluded writing shed close to Malibu working on a 3 hour segment about bestselling writer Cornelia Funke for Deutschlandradio's, 'Die Lange Nacht'. I was in the middle of nature with almost no access to the internet, which turned out to be an even bigger blessing than I initially thought it would be. 

Coming back to my home office was a different story. I can not help but follow the news, scroll through Social Media feeds, keep way to busy instead of seavouring the moment to be still and wait for what needs to arise.

I do stare out of the window quite a lot though when I sit at my desk and try to make sense of it all. I am still working on the 'making sense' part, but staring out of the window at least made me write a new poem. Here it is:

WHAT THE BIRD KNOWS

I wonder what the bird knows/The red chested finch/A cheerful troubadour

Jumping from branch to branch/In the tree with purple flowers/That almost died ten years ago

Does the red chested finch miss the humming chant to its a capella song/The constant buzz of nonstop traffic

Does the air drift lighter through its feathers/Is it easier for the finch to breathe

     Two sheets of white paper lie in front of me. One is covered in bold and vivid lines, green and golden. To me they look like arches, minarets, sails and ships and stars. Next to it, on straight black lines, I see familiar German words. Unruly, shaky letters which look like they want to fly away. It is a letter from my mother, a belated Christmas greeting.

     I received both papers on the same day, the first one from a poet in 'Tehrangeles', a part of Los Angeles where many families live who came to the U.S. from Iran. That morning I walked into the poet's shop as a reporter looking for reactions to escalating tension in the Middle East. He said there was not enough time to talk and make sense of anything, as he was with a student to teach her calligraphy. He then handed me the paper with green and golden lines. "I wrote this poem about news coming from Iran, the demonstrators that were shot," he said. "It is for you."